摘要:隨著經濟水平的提高，居民收入的增長，人們的消費結構有了質的變化，不僅從物質消費上有了顯著的跨越，在精神消費上更是日益充實與豐富。休閑時間，全家大小共進豐富晚餐后，也少不了挑一部喜劇電影來看看，從而在娛樂大眾之余又打發時間。另外，人們的工作壓力越來越大，為了減壓，人們周末通常欣賞一部喜劇電影來釋放心中的壓力。在這樣的環境背景下，喜劇電影文化得到了迅速蓬勃發展。喜劇電影作為一種藝術形式，生動傳神地向觀眾傳遞了其所反映的文化背景、文化內涵及文化的發展，而在這其中，喜劇電影中的無厘頭對白以及夸張的肢體語言更是起著不可或缺的作用。本文將通過對中西方喜劇電影語言的對比分析，特別是以中國無厘頭電影的領軍人物—周星馳，以及西方喜劇電影的代名詞—金凱瑞作比較，分析對比中西喜劇語言的特征。

關鍵詞：無厘頭；周星馳；金凱瑞；語言特點

Abstract:With the rapid economic growth, the income of Chinese in urban and rural areas has increased by a large margin. Besides, the consumption structure has made a historical leap-forward which saw a huge development not only in material consumption but also in the metal consumption. During the leisure time, the whole family can watch a comic film in order to entertain the family as well as spare the time. In addition, people usually watch a comic film to release the increasing pressure from work. Comic film’s sustained and rapid growth is attributed to those circumstances. Comic film regarded as a kind of art, vividly communicates the cultural background, cultural connotation and cultural advancement which reflects to the audience. Of those, both the ridiculous and illogical dialogue and the exaggerated body language play an indispensable role. This paper will make a comparison between comic films of Chou xingchi and Jim Carrey to analyze linguistic traits between Chinese comic film and western comic film.

Key words：Wulitou；Chou xingchi；  Jim Carrey；  Linguistic